Home › Forums › Message From One Forum › 09. Creative Expression & Obsessions › Gloomy – No End (Jay30k Drum & Bass Remix) – The point is to stay awake inside
Tagged: #AlanMoore, #authenticity, #ConsciousMusic, #consciousness, #Consciousness2Point0, #CriticalThinking, #DaveGibbons, #DnB, #DoomsdayClock, #DrumAndBass, #ElectronicMusic, #FLStudio, #GaryFrank, #GeoffJohns, #GraphicNovels, #IndependentArtist, #innerfreedom, #Jay30k, #MusicCollaboration, #musicproducer, #MusicWithMeaning, #NoEasyAnswers, #NoEnd, #PersonalResponsibility, #Remix, #resilience, #SharedResponsibility, #undergroundmusic, #Watchmen, Gloomy
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6 September 2026 at 15:37 #9632
Jan
KeymasterNo End (Jay30k Drum & Bass Remix) and reflections on endings that refuse to finish, collaboration, authenticity (being real and true to yourself), inner freedom, consciousness (awareness of your own mind), and what we whisper when the crowd shouts for rescue.
(Rating : 9/10, I’m obsessed with the depth.)
Original by Gloomy. Remix by Erik / Jay30k (Netherlands), drum and bass. Vocals and remix music by Jay30k. Spoken lines drawn from the graphic novels Watchmen (Alan Moore and Dave Gibbons) and Doomsday Clock (Geoff Johns and Gary Frank).
Gloomy’s “No End” already said the finish line is a trick. Jay30k took that seed and ran it through drum and bass, fast broken drums, pressure, night energy. Erik, a friend from the Netherlands, rebuilt the track so it would hit a wider floor. The original still belongs to Gloomy. The new body belongs to the collaboration.
The core message stays grim and clear. People look up and beg to be saved. The answering voice does not play hero. It says no. The world in the text is relentless: hidden watchers, a paradise left in clumsy human hands, a coming fight that even the lowest creatures join. The title fights the panic in the words. “No end” and “the end is nigh” sit in the same song on purpose. The point is not to decorate doom. The point is to stay awake inside it.
At the time this felt like both tribute and acceleration. An artist handed a friend the original; the friend gave it a faster pulse and a comic-book throat. You pointed people toward Jay30k’s YouTube and SoundCloud so the credit would travel with the views.
The 2.0-revolution takes this seed and grows it further. Where the original and the remix staged a cold refusal of cheap salvation, 2.0 treats that kind of clear “no” as ordinary useful practice rather than only a dark punchline. We no longer only quote the gutter scene; we use the same refusal as ground for real responsibility, no waiting for a god or a hero to mop the street.
Tools that once served one D&B rebuild now help many people turn “save us” into work they actually do.
Society moves from shouting at the sky toward handling the razor it was handed. Old pictures of a last-minute rescue become starting points for real courage and less magical thinking. What began as one Belgian original and one Dutch remix becomes part of a wider upgrade: consciousness 2.0, where credited collaboration, hard stories and a refused easy ending support freedom and adult action instead of a whispered god-complex.Looking back, the Jay30k version was an early signal. It helped plant the idea that a friend’s remix can carry a grim book and still keep the original name honest.
The implications today are clear: credit the writers, credit Erik, keep Gloomy in the title, and do not outsource the next hour to a saviour. The shift is already happening inside each of us.
In short, Gloomy said there was no end; Jay30k made the sentence run.
If the crowd still yells “save us,” you can keep the whisper, just do not pretend the whisper is the whole job.
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