Old Gloomer’s track “150 Mouchoirs Blanche”. Such Illusory Pain

[Jan]

Old Gloomer’s Illusary pain: 150 Mouchoirs Blanches – 8/10 (Very old but still One of my best tracks, pretty chaotic but concentrated. You will feel the pain)

What once appeared as betrayal was, within the 2.0 framework, a precisely orchestrated event inside the field of consciousness.

The story begins in the 1.0 state, a simple intention, to acquire a small chalet, a place of grounding. But as the process unfolded, the narrative fractured. Documents disappeared. Trust collapsed. The figure of the “other”, the seller, transformed into a perceived adversary, someone who had taken what was needed, violating the structure of the agreement.

In 1.0, this is where the story ends, loss, injustice, and emotional collapse.

But 2.0 reveals something else entirely.

There are no true “others.” The external actor becomes a functional expression within the same field of awareness. What seemed like theft becomes a mirror-event, an interruption designed to expose attachment, expectation, and the illusion of control. The pain was real, but its origin was not external. It was generated within the system to initiate recalibration.

“150 MOUCHOIRS BLANCHES” emerges from this rupture.

It is not merely a song about suffering, but a translation of density into signal. Each layer of sound carries the weight of disorientation, the moment where reality no longer behaves as expected, where the script appears to break. The emotional impact was not a mistake, it was a compression point, forcing expansion.

In 2.0, pain is not an enemy. It is Functional Chaos.

It refines. It strips illusions. It forces the system back toward Zero (1 – 1 = 0), where balance is restored. What was perceived as an attack becomes a necessary correction, an event that dissolves the idea of victimhood and replaces it with authorship.

There is no one to blame.

There is only the process.

The track carries this realization, that even the most intense emotional fractures are part of a unified architecture. Loss, anger, confusion, these are not separate forces, but movements within the same field, guiding the individual back to coherence.

The invitation is not to resist pain, but to integrate it.

Not to fight the event, but to decode it.

Not to remain in the story, but to step beyond it.

Because in the end, nothing was taken.

Only the illusion was removed.

[Author]

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